ラランラ~ン、ランドセルは~、ラランラ~ン天使の羽~♪ とかいうランドセルが日本にはあるが、海外手作り通販サイトEtsyにて天使というか猛禽的な意味合いもある翼のリュックサックが販売されており話題となっている。更にはクトゥルフめいたタコのリュックサックもあり、天使?悪魔?さあどっち?と悩むレベルの出来の良さだ。

SOURCE: http://karapaia.livedoor.biz/archives/52224517.html

[ このページを翻訳 ]

【画像】 テレ東「太川蛭子のバス旅」 次回で終了が発表され騒然 その理由が・・



SOURCE: http://blog.livedoor.jp/gunbird/archives/10145210.html

【画像】 セブンイレブン、店舗オーナー不在時に本部社員による無断発注が横行 公開されたLINEの内容に衝撃走る



SOURCE: http://blog.livedoor.jp/gunbird/archives/10145201.html

【画像】 コメダの新商品「シロノワールプリン」に衝撃事実が発覚し騒然 このプリンがまさかのww



SOURCE: http://blog.livedoor.jp/gunbird/archives/10145178.html



Image by aldegonde/iStock




 これは「魔女のボトル」と言われるもののようだ。呪いから身を守るためのお守りで、わざと見つかりにくいところに隠されていたのだという。 続きを読む

SOURCE: http://karapaia.com/archives/52284532.html




SOURCE: http://blog.livedoor.jp/gunbird/archives/10144998.html

「ビートたけしの愛人からパワハラを受けた」 元運転手の石塚康介氏が告発、東京地裁に提訴



SOURCE: http://blog.livedoor.jp/gunbird/archives/10145153.html




 家具や壁はもちろんトイレの蓋にも張れるので、開けてびっくり猫との遭遇が味わえちゃうのだ。 続きを読む

SOURCE: http://karapaia.com/archives/52284489.html




SOURCE: http://blog.livedoor.jp/gunbird/archives/10145125.html

Bambara – “Serafina” Lyric Video via…

Bambara - “Serafina” Lyric Video via https://youtu.be/qFW_23iKH8E // Here are the credits: Directed by William Hart and Bambara Shot by William Hart Actors: Alex Giroux and Andrea Galvez Pre-Order the ‘Stray’ LP Here - https://www.wharfcatrecords.com/store/bambara-stray One thing you won’t be able to avoid on Bambara’s Stray is death. It’s everywhere and inescapable, abstract and personified  – perhaps the key to the whole record. Death, however, won’t be the first thing that strikes you about the group’s fourth – and greatest – album to date. That instead will be its pulverising soundscape; by turns, vast, atmospheric, cool, broiling and at times – on stand out tracks like “Sing Me To The Street” and “Serafina” – simply overwhelming   Bambara – twin brothers Reid and Blaze Bateh, singer/guitarist and drummer respectively, and bassist William Brookshire – have been evolving their midnight-black noise into something more subtle and expansive ever since the release of their 2013 debut Dreamviolence. That process greatly accelerated on 2018’s Shadow On Everything, their first on New York’s Wharf Cat Records and  a huge stride forward for the band both lyrically and sonically.    The album was rapturously received by the press, listeners and their peers. NPR called it a “mesmerising…western, gothic opus,” Bandcamp called the “horror-house rampage” “one of the year’s most gripping listens,” and Alexis Marshall of Daughters named it his “favorite record of 2018.”  Shadow also garnered much acclaim on the other side of the Atlantic. Influential British 6Music DJ Steve Lamacq, dubbed them the best band of 2019’s SXSW, and Joe Talbot of the UK band IDLES said, “The best thing I heard last year was easily Bambara and their album Shadow On Everything."  The question was, though, how to follow it?   To start, the band did what they always do: they locked themselves in their windowless Brooklyn basement to write. Decisions were made early on to try and experiment with new instrumentation and song structures, even if the resulting compositions would force the band to adapt their storied live set, known for its tenacity and technical prowess. Throughout the songwriting process, the band pulled from their deep well of creative references, drawing on the likes of Leonard Cohen, Ennio Morricone, Sade, classic French noir L’Ascenseur Pour L’Echafraud, as well as Southern Gothic stalwarts Flannery O’Connor and Harry Crews.   Once the building blocks were set in place, they met with producer Drew Vandenberg, who mixed Shadow On Everything, in Athens, GA to record the foundation of Stray. After recruiting friends Adam Markiewicz (The Dreebs) on violin, Sean Smith (Klavenauts) on trumpet and a crucial blend of backing vocals by Drew Citron (Public Practice) and Anina Ivry-Block (Palberta), Bambara convened in a remote cabin in rural Georgia, where Reid laid down his vocals.   The finished product represents both the band’s most experimental and accessible work to date. The addition of Citron and Ivory-Block’s vocals create a hauntingly beautiful contrast to Bateh’s commanding  baritone on tracks like “Sing Me to the Street”, “Death Croons” and “Stay Cruel,” while the Dick Dale inspired guitar riffs on “Serafina” and “Heat Lightning” and the call-and-response choruses throughout the album showcase Bambara’s ability to write songs that immediately demand repeat listens.   While the music itself is evocative and propulsive, a fever dream all of its own, the lyrical content pushes the record even further into its own darkly thrilling realm. If the songs on Shadow On Everything were like chapters in a novel, then this time they’re short stories. Short stories connected by death and its effect on the characters in contact with it. “Death is what you make it” runs a lyric in “Sweat,” a line which may very well be the thread  that ties these stories together.   But it would be wrong to characterize Stray as simply the sound of the graveyard. Light frequently streams through and, whether refracted through the love and longing found on songs like “Made for Me” or the fantastical nihilism on display in tracks like the anthemic “Serafina,” reveals this album to be the monumental step forward that it is. Here Bambara sound like they’ve locked into what they were always destined to achieve, and the effect is nothing short of electrifying.

SOURCE: https://motioncollector.com/post/189033428612

千原せいじ、また不倫が発覚・・ 今度は40代の元大人女優「ほんま俺はいつ懲りるんやろ・・」



SOURCE: http://blog.livedoor.jp/gunbird/archives/10145094.html