DCN Pick: James Blake – If The Car Beside You Moves Ahead (Official video)

If the car beside you moves ahead As much as it feels as though you’re dead You’re not going...

SOURCE: http://motioncollector.com/post/170169023754

DCN Pick: ВОСПРЕЩЕНИЕ-ПРОСВЕЩЕНИЕ by Vladimir Abikh //…



DCN Pick: ВОСПРЕЩЕНИЕ-ПРОСВЕЩЕНИЕ by Vladimir Abikh // Неотъемлемой частью стрит-арта является момент запрещенности. К одним и тем же работам зритель может относиться диаметрально противоположено в зависимости от контекста. Художественная уличная активность как правило ассоциируется с вандализмом, но через признание музейного сообщества или же ценник в аукционном доме произведение приобретает статус искусства. На примере того же Бэнкси мы видим, что первоначально нелегальные работы извлекаются с улицы и музефицируются. За их порчу даже предусмотрена уголовная ответственность. Возникает забавная ситуация, продукт нарушения общественного порядка теперь защищается законом. В работе «ВОСПРЕЩЕНИЕ-ПРОСВЕЩЕНИЕ» одни и те же вырезанные буквы существует в двух местах единовременно, они читаются как на улице, откуда их изъяли, так и на территории музея стрит-арта, куда они перенесены, но при этом образуют совершенно разные смыслы. Работа репрезентирует смену статуса нелегального стрит-арта при переходе в музейное пространство, побуждающему зрителя относиться к произведению как к своеобразному акту просвещения, который судя по всему и происходит через запрет, через своеобразную «прорезь» устоявшегося порядка. An integral part of street art is the moment of forbiddenness. The viewer can see the same works diametrically opposed depending on the context. Street art activity is usually associated with vandalism, but through the recognition of the museum community or the price in the auction house the work gets the status of art. Even on the example of Banksy, we see that initially illegal works are taken from the street and come to museums. For their damage there’s even a criminal liability. So isn’t it funny that the product of violation of public order is protected by law now. In the work of “ENLIGHTENMENT-PROHIBITION” the same cut letters exist in two places at a time, they are read both on the street, where they were taken, and on the territory of the museum of street art, where they are transferred, but they form completely different meanings. The work represents a change in the status of illegal street art when been taken to the museum space, encouraging the viewer to treat the work as a kind of an act of enlightenment. Which happens from all appearances through interdiction, through a kind of a “cut” of the established order.

SOURCE: http://motioncollector.com/post/170161868960

DCN Pick: ВОСПРЕЩЕНИЕ-ПРОСВЕЩЕНИЕ by Vladimir Abikh //…



DCN Pick: ВОСПРЕЩЕНИЕ-ПРОСВЕЩЕНИЕ by Vladimir Abikh // Неотъемлемой частью стрит-арта является момент запрещенности. К одним и тем же работам зритель может относиться диаметрально противоположено в зависимости от контекста. Художественная уличная активность как правило ассоциируется с вандализмом, но через признание музейного сообщества или же ценник в аукционном доме произведение приобретает статус искусства. На примере того же Бэнкси мы видим, что первоначально нелегальные работы извлекаются с улицы и музефицируются. За их порчу даже предусмотрена уголовная ответственность. Возникает забавная ситуация, продукт нарушения общественного порядка теперь защищается законом. В работе «ВОСПРЕЩЕНИЕ-ПРОСВЕЩЕНИЕ» одни и те же вырезанные буквы существует в двух местах единовременно, они читаются как на улице, откуда их изъяли, так и на территории музея стрит-арта, куда они перенесены, но при этом образуют совершенно разные смыслы. Работа репрезентирует смену статуса нелегального стрит-арта при переходе в музейное пространство, побуждающему зрителя относиться к произведению как к своеобразному акту просвещения, который судя по всему и происходит через запрет, через своеобразную «прорезь» устоявшегося порядка. An integral part of street art is the moment of forbiddenness. The viewer can see the same works diametrically opposed depending on the context. Street art activity is usually associated with vandalism, but through the recognition of the museum community or the price in the auction house the work gets the status of art. Even on the example of Banksy, we see that initially illegal works are taken from the street and come to museums. For their damage there’s even a criminal liability. So isn’t it funny that the product of violation of public order is protected by law now. In the work of “ENLIGHTENMENT-PROHIBITION” the same cut letters exist in two places at a time, they are read both on the street, where they were taken, and on the territory of the museum of street art, where they are transferred, but they form completely different meanings. The work represents a change in the status of illegal street art when been taken to the museum space, encouraging the viewer to treat the work as a kind of an act of enlightenment. Which happens from all appearances through interdiction, through a kind of a “cut” of the established order.

SOURCE: http://motioncollector.com/post/170161868960

DCN Pick: Cautionary Tales by Us // A short film written &…



DCN Pick: Cautionary Tales by Us // A short film written & directed by Us - http://www.cautionary-tales.co.uk MAKING OF - https://vimeo.com/252215890 “A bizarre incident as a young boy left Aaron with an unusual facial disfigurement that has plagued him all his life. Isolated and vulnerable, Aaron seeks comfort in the friendship and understanding of an unexpected group of outcasts” AWARDS - BEST FILM ‘Liechtenstein Short Film Festival’ Liechtenstein BEST SCRIPT 'Maniatic Int'l Film Festival’ Spain SPECIAL MENTION 'Manchester Film Festival’ UK STAFF PICK 'Vimeo’ SHORT OF THE WEEK 'shortoftheweek.com’ 2017 - Official Selection 'Short Shorts Film Festival’ Japan- Oscar® Official Selection 'Flickerfest’ Australia - Oscar® Official Selection 'Foyle Film Festival’ Northern Ireland - Oscar® Official Selection 'LA Short Film Festival’ USA - Oscar® Official Selection 'Edinburgh Film Festival’ UK Official Selection 'San Diego Film Festival’ USA Official Selection 'Bolton Film Festival’ UK Official Selection 'Fancine Film Festival’ Spain Official Selection 'Fantastisk Film Festival’ Sweden Official Selection 'This Is England Film Festival’ France Official Selection 'Kino Fest’ Romania Official Selection 'Orlando Film Festival’ USA Official Selection 'Lusca Fantastic Film Fest’ USA Official Selection 'Kerry Film Festival’ Ireland Official Selection 'Kinsale Sharks’ Ireland Official Selection 'Chiddingly Chillerama’ UK Official Selection 'Catacumba Film Festival’ Spain Official Selection 'Colchester Film Festival’ UK Official Selection 'Hollywood North Film Festival’ Canada Official Selection 'Winchester Short Film Festival’ UK Official Selection 'Soria International Film Festival’ Spain Official Selection 'San Sebastian Fantasy Film Festival’ Spain Official Selection 'Red Rock Film Festival’ USA 2017 Official Selection 'Weyauwega Int'l Film Festival’ USA Official Selection 'Make It Short Film Festival’ UK Official Selection 'Duhok Int'l Film Festival’ Iraqi Official Selection 'White Whale Film Festival’ USA Official Selection 'NEO International Film Festival’ USA Official Selection 'CSIFF’ - India 2018 - Official Selection 'Science Fiction + Fantasy Short Film Festival’ USA Official Selection 'Four Seasons Film Festival’ UK Official Selection 'Artfools Int'l Film Festival’ Greece Official Selection 'British Shorts Film Festival’ - Berlin Official Selection 'Arkansas Shorts’ - USA Official Selection 'Landshuter Kurz Film Festival’ - Germany Official Selection 'CSIFF’ - Venezuela Official Selection 'Malatesta Short Film Festival’ - Italy Official Selection 'Kontrast Filmfest’ - Germany Official Selection 'Meme Pas Peur’ - Reunion Official Selection 'SHORT to the point’ - Romania Official Selection 'MBIFF’ - USA CREDITS - WRITTEN & DIRECTED BY Us PRODUCTION COMPANY Academy Films PRODUCER Medb Riordan EXECUTIVE PRODUCER Lizie Gower & Simon Cooper DIRECTOR OF PHOTOGRAPHY Sebastian Winterø PRODUCTION DESIGNER Francesca Di Mottola CASTING Hammond Cox Casting EDITOR Sam Rice-Edwards EDIT HOUSE Assembly Rooms MUSIC BY Half Moon Run SOUND STUDIO Wave Studios SOUND DESIGNER Jonny Platt COSTUME DESIGNER Rebecca Hale HEAD OF PROSTHETICS Matthew Smith GRADE Jason Wallis POST PRODUCTION Electric Theatre DESIGN & ART DIRECTION Fieldwork Facility ILLUSTRATOR Giulia Ghigni CAST - AARON Ross Hatt MARK Anthony Barton JENNY Abigail Davies TERESA Michele Whitehead NORMAN Andrew Murton SARAH Laura Evelyn STEVE Selom Awadzi KID ON BUS Lucas Salem GALE Skye Bennett FULL CREDITS - http://www.cautionary-tales.co.uk/portfolio/credits

SOURCE: http://motioncollector.com/post/170145424476

DCN Pick: DD5_Choose_Your_Emo(ji)tion by De C // Interactive…



DCN Pick: DD5_Choose_Your_Emo(ji)tion by De C // Interactive Kinect- based Installation DD5, London, Ugly Duck, 25-27 August, 2017 Installation by: Desislava Desseva Technical support: Mastoy Sound design:GP Studio Bulgarian Vocals sample: Ivan Shopov/COOH/BALKANSKY note: song, used for the video - The Beast- Myd Remix by Uto (I do not own the rights for this song) Description ————— Ever wondered what Your face would look like in The Digital Era? What shape would Your true personality have? Distortion takes place in Your everyday attempt to re-imagine Yourself and Your “public face” in front of the world. You start appearing with numerous faces on numerous apps and devices, presenting Your emotions with “emoji”, appreciating, liking, dis-liking, overwhelming with joy, sadness, anger, surprise, easily expressing love. In the future You’ll even be replaced by a humanoid/ non-humanoid avatar, appearing in VR- Facebook chats… Are You prepared to meet Your new digital self? The installation explores perception of emotions in The Digital Age - can You really express Your unique emotional state by choosing from a predefined list of icons (emoji), did You notice when feelings became more of a choice, a voluntary decision rather than a state of Your so called “heart and soul” …

SOURCE: http://motioncollector.com/post/170118447949

DCN Pick: Choose_Your_Emo(ji)tion_Installation_DD5 by De C //…



DCN Pick: Choose_Your_Emo(ji)tion_Installation_DD5 by De C // Interactive Kinect- based Installation DD5, London, Ugly Duck, 25-27 August, 2017 Installation by: Desislava Desseva Technical support: Mastoy Sound design:GP Studio Bulgarian Vocals sample: Ivan Shopov/COOH/BALKANSKY Ever wondered what Your face would look like in The Digital Era? What shape would Your true personality have? Distortion takes place in Your everyday attempt to re-imagine Yourself and Your “public face” in front of the world. You start appearing with numerous faces on numerous apps and devices, presenting Your emotions with “emoji”, appreciating, liking, dis-liking, overwhelming with joy, sadness, anger, surprise, easily expressing love. In the future You’ll even be replaced by a humanoid/ non-humanoid avatar, appearing in VR- Facebook chats… Are You prepared to meet Your new digital self? The installation explores perception of emotions in The Digital Age - can You really express Your unique emotional state by choosing from a predefined list of icons (emoji), did You notice when feelings became more of a choice, a voluntary decision rather than a state of Your so called “heart and soul” …

SOURCE: http://motioncollector.com/post/170112600636

DCN Pick: Choose_Your_Emo(ji)tion_Installation_DD5 by De C //…



DCN Pick: Choose_Your_Emo(ji)tion_Installation_DD5 by De C // Interactive Kinect- based Installation DD5, London, Ugly Duck, 25-27 August, 2017 Installation by: Desislava Desseva Technical support: Mastoy Sound design:GP Studio Bulgarian Vocals sample: Ivan Shopov/COOH/BALKANSKY Ever wondered what Your face would look like in The Digital Era? What shape would Your true personality have? Distortion takes place in Your everyday attempt to re-imagine Yourself and Your “public face” in front of the world. You start appearing with numerous faces on numerous apps and devices, presenting Your emotions with “emoji”, appreciating, liking, dis-liking, overwhelming with joy, sadness, anger, surprise, easily expressing love. In the future You’ll even be replaced by a humanoid/ non-humanoid avatar, appearing in VR- Facebook chats… Are You prepared to meet Your new digital self? The installation explores perception of emotions in The Digital Age - can You really express Your unique emotional state by choosing from a predefined list of icons (emoji), did You notice when feelings became more of a choice, a voluntary decision rather than a state of Your so called “heart and soul” …

SOURCE: http://motioncollector.com/post/170112600636

DCN Pick: THE VISIONARIES: Stephen Jones

Stephen Jones is one of the greatest milliners in the world. He has created hats for its most...

SOURCE: http://motioncollector.com/post/170102621235

DCN Pick: Negative Space – trailer

Directed by Max Porter, Ru Kuwahata

SOURCE: http://motioncollector.com/post/170095149247

DCN Pick: Negative Space – trailer

Directed by Max Porter, Ru Kuwahata

SOURCE: http://motioncollector.com/post/170095149247